When we see photographs by the Belgian artist Dirk Braeckman installed in museums, we seem to be looking at photographs that aspire to the condition of painting. They are large — he likes them to be life-size. They are unglazed— he wants no interruption to the eye. They demand as slow an act of looking as any painting. They have the same richness and variety of tones of grey as works by Richter or Celmins.
Excerpt by Tony Godfrey, in: Painting Today, Phaidon, London / New York, 2009