Edward Burtynsky is a Canadian photographer documenting that stunning residue, the landscape left behind.
All burnt and viscuous, he shoots the relationship between nature and industry – the initial attraction, the seduction, and our repulsion by what we’ve left behind.
Everything now is almost a guilty pleasure. Everything we do has consequence. So we live with the desire on one hand, to live a full life, and the consequence that we’re all having in that collective expression of Capitalism, and Democracy. These are two irreconcilable things.
“Cognitive dissonance” is when you tend to deny anything that contradicts what you want life to be. It’s also called “myside bias.” We accept any information that supports living life as usual, and not having to change our behavior is embraced, and anything that sounds like “Oh, I have to change my behavior if I want to be a good citizen,” we tend to shun. There is a kind of attraction/repulsion, but rather than deal with the repulsion, we tend to try to close it off. I think it’s societal, so in terms of a psychological state, it’s happening on a very big scale.
I think the work itself, that I do, also mirrors that dissonance. On one hand, we’re attracted to the image. The aesthetics are equivalent to the desire that we feel, the beauty we long for, yet once we come to terms with the fact of its subject matter, the content then puts us into a state of realization…”What’s that telling me?” It’s hard to feel good about what you’re seeing, because you know this is a disaster. It’s tragic.