Guy Maddin‘s 2011 Keyhole delves into a fantastical tale about a husband trying to reach his wife in their own household. Detailed synopsis can be read as follows (via TIFF):

“Idiosyncratic, cheeky and uncategorizable, the films of Guy Maddin are testaments to the singular vision of a great contemporary cinema artist. A surreal indoor odyssey fol­lowing one man’s struggle to reach his wife, Keyhole bewilders and captivates. It may be Maddin’s boldest film yet.

Homer’s Odyssey has inspired many an artist, and Maddin pays homage to the epic poem in his own iconoclastic manner. But it’s the gangster and melodrama genres, as well as Maddin’s cinematic influences (par­ticularly Buñuel and von Sternberg), that inform the film’s rich style. With all of this in mind, Maddin crafts a startling and original film that echoes the past yet is undeniably, refreshingly his own.

After a long absence, gangster and father Ulysses Pick (Jason Patric) arrives home tow­ing the body of a teenaged girl and a bound and gagged young man. His gang waits inside his house, having shot their way past police. There is friction in the ranks. Ulysses, however, is focused on one thing: journey­ing through the house, room by room, and reaching his wife Hyacinth (Isabella Rossellini) in her bedroom upstairs. It also begins to seem possible that the characters in Keyhole may not be alive.

Maddin is known for creating new worlds governed by their own logic and rules, and the bizarre exists at every turn in Keyhole’s maze. Ulysses is hindered by various obsta­cles, including the treachery of his own gang. His pursuit is also intercut by the rumina­tions of a phantom narrator: Hyacinth’s naked, chained father, the self-declared “enemy.” His odyssey eventually becomes an emotional tour, as the strange nooks and crannies of the house reveal more about the mysterious Pick family.

As unique as the film is, the subjects it explores are classic: loyalty and betrayal, male rivalry, family secrets and romantic longing. These are laced, of course, with a memorable dose of Maddinesque humili­ation. Co-written by his long-time writing partner George Toles and vividly shot in digital (a departure for Maddin), Keyhole is a hypnotic, dreamlike journey into memory that takes place in an incredible haunted house. Maddin has become one of Canada’s most internationally respected filmmakers, and his latest work affirms his commitment to cinema of brazen originality.”

The trailer is embedded down below: