“My immense wall installations are extremely time consuming and repetitive manual work. This is a form of meditative practice that helps me find my inner peace. Pins are used to hold buttons onto the surface to form a silhouetted image, or to disintegrate such image. No adhesive is used so the buttons are free to stay and move, which implies the genetic human tendency to be irresolute. I use buttons because they are common and ordinary, like the existence of human beings.”
“By hammering thousands of pins onto a wall, I discover significance of existence. Like the monks practicing Zen facing the wall, my work is a form of performance that leads to finding oneself.”
Ran Hwang is a Korean-born artist who has shown her work in galleries all across the world.
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