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(Photo by: Dara Scully, EK Flickr Pool Submission)

Welcome, ladies n’ gentlemen, lads n’ lasses… gems n’ germs. The EMPTY KINGDOM Top 100 Artist of 2011 is here!

As with last year, this years “Top 100” was compiled by three of our authors (Konahrtist, okmarzo, and Bunnyman), so we fully acknowledge this list is totally unfair and does not in any way reflect a “real” sampling of the “best” work on the site, since there is no real and fair way to judge such a thing. Think of the Top 100 as simply a reflection of the personal taste of three people who lovingly took it upon themselves to spend the time to put a list together of the work they personally enjoyed throughout the year.

But please know our taste and editorial control is so strict that just being featured on the site at all means we automatically love you and your work, period. And there were many of you we fought for individually, but just couldn’t place without unanimous consent, so our heart goes out to you.

Last year we left the 100th spot open to honor all the artists who thought they should have been on the list but were not. This year we decided to leave the last spot open in honor of all the Art students and youngsters who have emailed us throughout the year telling us that our site has somehow made a difference in their lives. (which blows our minds)  -So we want you all to know we look forward to seeing your work featured on our site someday! And we encourage you to always push yourself to be your best not just as an artist, but as a human being and part of the community we are all building together.

Next year we will open our entire site to the public to vote for their own Top 100, but for 2011, this is what you get. Feel free to debate the list, but know everything we do is for the love of it and hopefully our work reflects that, so we hope you enjoy it!

BM: This year it was tougher for me to judge photography, because it seems like a lot of photographers are just copying each other these days. Lots of ass shots. I tended to look for artists who did something new with their technique. However, the boundaries pushed in Fine Art & Illustration was amazing. Next year I’d like to see more design or film work crack the Top 100 list, but that’s up to us to find more content.

OK: First of all I must say we’ve put in a lot of work nominating and finalizing the top 100 artists featured for 2011. This is our second consecutive Top 100 list for Empty Kingdom. It was arguably more demanding to put together because our goal was so surpass the quality of 2010′s (and that’s fucking tough). We hope all of our viewers and followers are truly happy with the list just as much as we are. As one of the core authors I’m extremely proud of being able to share and expose to the world what Empty Kingdom believes is revisionary, innovative and radical. Besides the Top 100 list, every single artists featured on Empty Kingdom represents the quality and caliber behind our final decisions. All of the artists deserve the utmost respect.

KA: Ditto. I second what they said. We three had to shift through and revisit nearly 15oo posts for 2011 alone, so please it’s no surprise that it took us exactly a month after the new year to pump this out. It’s another year, another 100, and all is good.

And now, the EMPTY KINGDOM TOP 100 Artists of 2011 in alphabetical order:
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1. AJ Fosik ★ (November 2011, February 2010)

KA: I thought my mushroom tea tasted a little weird.
BM: Yummy to my tummy.

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2. Amanda Elizabeth Joseph (July 2011)

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3. Amber Isabel (February 2011)

KA: In a dark basement office at the EK headquarters, plans for Project X begins.
BM: The first rule of Project X…is never talk about Project X.
KA: The second rule of Project X…is you kill anyone who talks about Project X.
BM: Then it is a good thing that we are already dead.
OK: We’re not even supposed to know who is who in the X room.

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4. Andreas Englund (August 2011)

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5. Andreas Franke (December 2011)

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6. Anton Kusters (September 2011)

KA: “…extra wasabi…EXTRA WASABI…the boss always wants extras wasabi! How could I forget?!”
OK: It’s about time we call Mr. Kusters to document Empty Kingdom.

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7. Antony Micallef (June 2011, May 2010, February 2010)

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8. Ariana Page Russell (October 2011)

OK: Unquestionably, one of kind set from Ariana. I’m not quite sure if I’m over the physical textures.

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9. Asger Carlsen (December 2011)

BM: …Excuse me ma’am…but your butt is staring at me. How rude.

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10. Atelier Olschinsky (August 2011)

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11. Barnaby Roper (June 2011)

OK: A beautiful symphonic display of interactive visuals.

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12. Benetton: UNHATE Campaign (November 2011)

KA: Only if other nations would follow suit…
BM: How do we know this isn’t what they do when no one is looking?
OK: In the next series, you got to pay to see what else goes on.

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13. Berlinde De Bruyckere (August 2011)

BM: Insert babyback ribs joke here.
KA: Shit…insert the damn baby back into the womb…I don’t think it’s quite done yet.
OK: Empty Kingdom needs a hallway full Berlinde’s work.

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14. Big Lazy Robot VFX: “The Gift” (December 2011)

BM: Nothing lazy about this VFX group.  Sheesh.
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15. Bill Durgin ★ (EK Interview – July 2011, June 2011, May 2010)

BM: Mr. Durgin kicks arse.
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16. Brian Dettmer (March 2011)

BM: I love a person who can appreciate a good book.

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17. Brooke Shaden (June 2011, February 2011, February 2010)

OK: Each photograph displays each dimension of Brooke Shaden’s world.

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18. Bruno Dayan (February 2011)

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19. Christy Lee Rogers (October 2011)

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20. CILER (June 2011, January 2011)

BM: Who the heck drew on me while I was asleep???
KA: I don’t know, but are those granny panties?

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21. Daikichi Amano (June 2011)

KA: Dirty, dirty.
BM: Um…
OK: I’m hungry.

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22. Daniele Manoli (February 2011)

BM: Being hooked on phonics has really screwed me up.
KA: Being hooked on crack is pretty bad I hear too. I read that somewhere on the internet, but I don’t know about the validity of that statement.
BM: I have no idea what you’re talking about. By the way, have you seen a little glass pipe lying around here anywhere?

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23. David Choong Lee (February 2011, May 2010)

BM: Mr. Choong Lee is one of the coolest mofos around.
OK: The multi-talented Mr. David Choong Lee.

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24. Debra Hampton (January 2011)

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25. Elizaveta Porodina (July 2011, September 2010)

BM: Yep.  She’s got it.
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26. Erin M. Riley (December 2011)

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27. Fredrik Åkum (July 2011)

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28. Gehard Demetz ★ (EK Interview – March 2011, January 2011, August 2010)

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29. Geirrod Van Dyke (June 2011)

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30. Gianmarco Magnani (EK Interview – March 2011, January 2011, April 2010, January 2012)

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31. Gottfried Helnwein (February 2011)

BM: If rabbits could mate with humans, I’d be all over this guy. RRaawwrrr.
OK: I never got to read his statement, but I’m pretty sure it’s abstrusely peculiar.

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32. Hayashi Natsumi (September 2011, February 2011)

BM: OH, so you think you can hop, huh?
OK: Beautiful.

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33. Henrique Oliveira (February 2011)

KA: Insanity in an art gallery.

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34. Hisatomi Tadahiko (October 2011)

BM: GET UP, WOMAN!!!…*sigh*, why do all my dates seem to end up like this?
KA: Stop giving them roofies.
BM: GET UP, WOMAN!!!
OK: Organic.

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35. Holly Suan Gray (February 2011)

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36. Iain MacArthur (April 2011, March 2011, March 2010)

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37. Istvan Nyari (October 2011, August 2010)

BM: I would make a silly comment but I’m afraid of getting my face ripped off. This artist is clearly not fucking around.

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38. James Hart Dyke (February 2011)

OK: Personally one of my favorite artists of 2011. Each brush stroke makes me oscillate, and each painted crevasse makes my mouth water.

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39. Jamie McCartney (April 2011)

KA: All hail the mighty wall.
BM: Respect the vagina.
KA: Oh trust me…I do.
OK: Should I praise standing or on my knees?

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40. Jason DeCaires Taylor ★ (EK Interview – June 2011, February 2011, October 2010)

OK: The legendary sunken colony. Republic of DeCaires.
BM: When I die I want DeCaires to cast my body and put it underwater with the colony.

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41. Ji Yong Ho (September 2011, March 2010)

KA: WHAT DO YOU MEAN I COULD’VE SAVED A BUNCH OF MONEY ON MY CAR INSURANCE?!
BM: ha ha ha -good one.

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42. John Clang (June 2011)

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43. José Ferreira (August 2011)

KA: Truly moving and startling work.
BM: Yea for reals. You know he’s legit if I have zero desire to make a smartass comment.
KA: “We’re dealing with real human beings who are suffering and dying and being tortured and starving because of policies that we are involved in we, as citizens of democratic societies, are directly involved in and responsible for. And what the media are doing is ensuring that we do not act on our responsibilities, and that the interests of power are served, not the interests of suffering people, and not the needs of the American people, who would be horrified if they realized the blood that’s dripping from their hands because of the way they’re allowing themselves to be deluded and manipulated by the system.” -Noam Chomsky

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44. Juha Arvid Helminen (July 2011)

OK: This series is such an iconic set. Imagine a film or a documentary based on this societal nation. Peerless.

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45. Julia Fullerton Batten (August 2011)

BM: I wonder why they are all dressed like Sailor Moon?
KA: Or also how Asian girls are also the object of most non-Asian men’s fetish/fantasy desires…”exotic orientals”, right?
BM: What’s an oriental?
KA: What? Oriental rugs? Huh?

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46. Justin Mortimer (March 2011)

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47. Kelsey Brookes (November 2011, June 2010)

KA: Last year on a crazy-wack-a-do roadtrip to Las Vegas, we ended up getting absolutely lost in the middle of fuckin’ nowhere in the dead of the night on some god-forsaken unmarked rural highway, and ran over two HUGE hares (not mere rabbits) and a majestic owl (of all fuckin’ creatures of the desert) just before we ran out of gas.
BM: You killed my family!

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48. Kent Williams ★ (September 2011, May 2010, March 2010)

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49. Kibwe Tavares & Factory Fifteen: “Robots of Brixton” (September 2011)

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50. Kilian Eng (January 2011)

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51. KILLMAG (October 2011)

BM: Kill Mag is pretty damn cool and so worth the download.
OK: If people want to see an app-based visual website, this is the one. There is no other app like this.

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52. Kim Cogan ★ (August 2011, March 2011, January 2011, January 2010)

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53. Korehiko Hino (August 2011)

KA: Right…
BM: Practice makes perfect?
KA: Right…
OK: Is this natural?

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54. Kris Kuksi ★ (December 2011, August 2011, March 2010)

KA: I’m pretty sure that Kuksi sold his soul to the Devil at some point in order to be able to create something of this scale and level of intricate detail. Yes, I’m pretty sure.
OK: Or he sold his soul to God.
BM: lol, marzo

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55. Laurie Lipton (June 2011, April 2010)

OK: The details…

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56. Lee Guk Hyun (October 2011)

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57. Lee Jeffries (August 2011)

KA: No joke…my insides feel like how this guy looks.
BM: Man, this series was for reals.
OK: Worldliness of souls that manifest.

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58. Lina Scheynius ★ (June 2011, October 2010, August 2010, April 2010)

OK: Nothing else matters, my darling.

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59. Lissy Elle (June 2011)

BM: ”Lassie, if these clouds evaporate, we are screwed.”
OK: Still searching.

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60. Ludovic Levasseur ★ (January 2011, November 2010)

KA: Say “HELLO” to my little friend.
BM: ”JOOEEYYYYYY!!!!!”
OK: This is what happens when we grow old and our toys expire.
KA: They grow penises?! And play with them?!!!
BM: You guys are crazy

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61. Marco Mazzoni (August 2011)

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62. Mariana Quevedo (November 2011 – PART I, November 2011 – PART II)

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63. Mars-1 (September 2011, October 2010)

KA: If anyone finds liquefied brains anywhere…they’re mine.
BM: It’s one of my goals to own a Mars-1 piece like this eventually…then you will never see me again.

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64. Marta Penter (October 2011)

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65. Matthew Brown (February 2011)

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66. Matthew Cusick (April 2011)

OK: This artist will never get lost.

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67. Max Ginsburg (August 2011)

KA: After really examining Ginsburg’s work in 2011, I can say that he is one of the few contemporary artists that I truly look up to. He carefully merges classical dramatism with moments and scenes of relevant contemporary times in a way that makes my underwear tingle. Inappropriate? I think not.
BM: You’re so dreamy when you get all analytical n’ stuff.

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68. Menoside (June 2011)

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69. Motohiko Odani (March 2011, June 2010)

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70. MUSICIANS WITH GUNS (January 2011)

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71. Nick Pedersen (July 2011)

OK: A grand series that portrays the obligations and solidarity of man.
BM: The man, the myth, the legend continues.

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72. Nicola Samori (September 2011, EK Interview – January 2012)

OK: Samori’s work allows us to sense and smell the shadowy aroma within the world being represented.

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73. Oh Yeah Studio (September 2011, November 2010)

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74. Pakayla Biehn (December 2011, January 2010)

OK: Yes, this is a painting.

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75. Pat Perry (June 2011, November 2010)

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76. Polynoid: “Loom” (June 2011)

BM: As MDA put it, an “intensely epic CG-animated short”
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77. Raul Ronald Moreno Cardenas (March 2011)

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78. Ray Jones (July 2011, August 2010, April 2010)

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79. REPLACEFACE (October 2011)

KA: Talk to me goose.
BM: You had me at hello. You complete me.

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80. Richard Mosse (December 2011, August 2010)

KA: I give much props to Mosse for bringing back such beautiful and startling images from war-torn Kivu, Congo. And to think, most American’s still think Africa is a country and not a continent…

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81. Rikki Kasso ★ (August 2011 – PART I, August 2011 – PART II, January 2011, June 2010)

KA: Hello. Hi there.
OK: Rikki Kasso’s raw journalistic eyes truly deliver art through a series so tantalizing.

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82. Robert Gligorov (October 2011)

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83. Ruben Brulat (November 2011)

BM: Seriously guys, where’d you hide my keys???  AND WHY AM I NAKED??
KA: Dude…major shrinkage.

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84. Ryan Schude (August 2011, May 2010)

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85. Sagaki Keita (March 2011)

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86. Sandy Kim ★ (December 2011, December 2010)

KA: YES!
BM: Miss Kim so crazy.  With a capital Z.
OK: So Zandy!

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87. Saturno Butto (March 2011)

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88. Sauco (June 2011)

OK: The beauty in absurdity.
KA: …Or just another creepy, twisted, fucked up old man.

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89. Seo Young Deok (December 2011)

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90. Serge Salat (September 2011)

OK: Serge Salat & Co’s traveling architectural installation show is one of a kind.

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91. Shawn Barber (July 2011)

KA: Mr. Barber is the illest of the ill.
BM: He’s super cool and was the first artist we met back when we were still in school and wet behind the ears. I consider him partially responsible for the success of EK today…he personally introduced us to many  great artists we love and support today.
I remember he was like: “I should introduce you to James Jean, he’d be a good interview for your documentary.”
And I was like, “Who’s that?”
And he was like, “Only one of the most influential illustrators working today… You ass.”
-okay I added the ass part, but it was history after that. Cheers to you, Mr. Barber.

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92. Shinji Imaoka & Christopher Doyle: “Underwater Love” (November 2011)

KA: Oh me, oh my…
BM: While giving a top 100 spot to a trailer is usually unacceptable, this one had the three of us giggling like school girls. Also, the fact that it was shot by the legendary Christopher Doyle makes it automatically awesome, no matter what the story.

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93. Shintaro Ohata (September 2011)

OK: It’s one thing to create sculptures and another to create a scenic installation. Shintaro creates both by blending a 3D rendered look, while feeling like we’re in the midst of an anime scene.

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94. Spunky Zoe (October 2011)

KA: Be it as it may, Spunky Zoe is probably one of my many personal favorite breakout artists for 2011. Ball-point pens, y’all…BALL-POINT PENS!

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95. Terence Chang (June 2011)

BM: If you leave your heart in San Francisco…I’ll keep it safe. Cake.
KA: If you leave your heart in San Francisco…okmarzo will eat it with cake. Huh?

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96. Thom Puckey ★ (EK Interview – November 2011, August 2011, May 2010)

OK: The Greek Gods are very proud of you.
KA: I think the Greek God both fear and desire Puckey’s works!
BM: I imagine the Greek Gods are a bit confused.

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97. Ting Cheng (July 2011)

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98. TSO Photography (September 2011)

BM: Where’s the double rainbow?
OK: Rumor has it that Double Rainbow Man supposedly relapsed after watching this.

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99. Yutaka Sone (September 2011)

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100. This spot is not only to all the other artists featured on EMPTY KINGDOM throughout this past 2011 year, but to all the young artists still in school, still learning, still developing, still growing. Without a doubt, EMPTY KINGDOM will see many of you featured on our site in the years to come, and many more make it to our future TOP 100 lists.

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★ = Denotes artists who previous made the EK TOP 100 of 2010

- This list is entirely subjective and in no way represents a popular opinion or objective vote.

- This list reflects strictly the personal tastes of the three authors who decided to put this list together: Bunnyman, okmarzo, Konahrtist

Popjugend is the bombness!  We were able to interview Vincent Karelsz to hear about it!  Read his interview:

Please give a short introduction to yourself/company or what you do.

My name is Vincent Karelsz from Amsterdam. I am a project manager at Shop Around, which is a creative agency based in Amsterdam and holds offices in Rotterdam and NYC. Our aim is to be a one stop shop for creative jobs. We represent an international group of illustrators, animators, (graphic) designers, directors, you name it. We select a team of people from our roster to work on jobs and get things done.

We also run an art label called Popjugend, under that name we do exhibitions for our creatives. This summer we did an exhibition called Toys in Babeland in the red light district of Amsterdam in a squatted gay sauna. I still run into people every day who talk about that one! This month we’re hitting Blooom with a totally new exhibition.

What are you contributing to Blooom this year?

We are doing an exhibition called Popjugend shows character. The idea is that we’re going to turn all kinds of objects into characters. Live and on the spot. People can bring anything from their toaster to their old TV to our stand and pick up a great character afterwards.

We’re also showing pre-made work done by our artists. Like this stool turned into a clownface by Lennard Schuurmans.

How is Blooom different from other events?

For me, it’s the first time to bring a Popjugend exhibition outside of the galleries and into an Art Fair. So the main difference for us is the size of the event and the fact that other cool galleries are present as well. We all hope to see some inspiring stuff.

What excites you currently about this year’s event?

I’m just looking forward to meeting a lot of cool people. I’m also excited to see what our illustrators are going to bring to the table.

Why is it important to participate in the event?

We see a lot of jobs coming in from outside of the Netherlands. So, instead of doing just commercial stuff abroad, we thought it would great to show some of our free works as well. We want to show who we are and what we stand for at such a big international event. I think it’s also a good opportunity to meet some of the other galleries who do cool stuff and meet up with them.

What do you hope to get out of it?

We want to leave an impression of who we are by doing some creative stuff. We hope a lot of people will leave with a cool character. We don’t really we know if it will lead to something commercially, but that’s not the point.

Anything you’d like to plug?

Whenever you guys are in Amsterdam, drop by for a cup of coffee and some Dutch gezelligheid. If people want to show their work, please contact us through our website. www.shop-around.nl

Thom Puckey is a sculptor.  You might have seen his work.  Or you might have not been so lucky.  Which is incredibly unlucky.  If you are the latter I suggest you don’t go near any intersections today because you’re likely to get hit by a bus with the kind of luck you have.  But you can be lucky now! Read his interview!

Can you explain the use of luxury pillows, women and weapons?  Is there a particular message you intend the viewer to walk away with?

Interesting you notice the pillows. The pillows, cushions and mattresses are sometimes ways I choose to avoid using little pedestals and bases under the feet or bodies of the figures. It’s nice that their softness rhymes with the softness of the figures. In addition they form a strong contrast with the hardness and angularity present in the weapons. A cushion is also a thing to present something else on, a place of honour in a way. Thus my figures are presented to the world. There’s a lot to say about the nude female figures and the weapons. Lots to say and nothing to explain. The contrast between them is obvious: woman as giver of life (potentially) and weapon as taker-away of life (potentially). The visual appearance of both items has held me and fascinated me since I can remember. it’s akin sometimes to an adolescent’s fascination, irresponsible, I have to admit it. It’s strange: the nude has been a subject for sculpture, through the centuries. Weapons and violence have also figured in art & sculpture, for centuries. The nude with gun, this image, has evolved more recently, in sub cultures, seedy or whatever. I combine and mix all these things, different traditions, antique and less antique. The Freudian connotations of guns/bodies are exquisitely obvious, pure kitsch, I love them.

The sculptures aren’t saying anything in any direct fashion. They are composed of contradictions, yet they are beautiful. The viewer walks away with complex, unresolved feelings. That’s the ideal outcome, nothing’s finalised, the matter remains in the mind, like I said – unresolved. It stays with you.

How long does it take you to complete the average piece?

I can spend between 2 months and a year only working on the sculpture in clay. The molding and casting process, in plaster, takes about a month. To carve and finish the works in marble takes between 3 and 4 months.

Figure Falling Backwards with 2 Carbines, 2010, Marble, Life Size.

How do you start?  Where do you get inspiration?

I start each time with a live model, a girl, always someone I know, always an art student or young artist. I’m usually on a roll, the ideas form themselves in my mind, there’s a need to begin a new work, I make an appointment with my model, try some poses out, test the ideas against the live image appearing before my eyes. Sometimes the model recognises something in the idea or pose that she can identify herself with; some connection with her own life or experience. That provides a foundation for me, strengthens the thing developing. I borrow or steal poses and attitudes from other art works, at the moment I have an obsession for the the 19th century. Ingres, Canova, Lorenzo Bartolini. Is it about inspiration? I don’t know. I don’t like the word. Photo-blogs and new young art-photography give me great pleasure to look at, and awaken new ideas.

Take us through your process.  How do you know when you’re finished?

When I’m sure of the pose, I construct an iron armature, welded together. This is the skeleton I build my clay figure over. I spend long hours with the model. I photograph her extensively, and use the photos to continue working when she’s not there. My process is full of mistakes, and much of ny time is spend correcting these mistakes. I know next to nothing about classical anatomy. I’m dependent on the visual phenomenon in front of me, like a complex landscape, with its own hills, valleys. It must ‘look right’, and it’s a long process of trial and error before it gets there. I’m usually finished because I have to be finished. There’s a deadline, set by a gallerist usually. That’s good for me. But finished in clay is not the end of the process. Then it has to be cast in plaster, then transported to Italy (near Carrara), then carved in marble. More chance to achieve a refined ending.

Isabelle Schlitz as Crawling Figure, 2010, Marble

Did you go to school for art?

Yes I spend 8 years at art schools, bachelor and master. I got my Master of Fine Art degree at the Royal College of Art in London, 1975.

How have you benefited from what you studied?

Many ways. Most of all in meeting other students/young artists. But also understanding that art is a subject, like philosophy, a subject to love and study.

How do you think being self-taught effects the end product of an artist’s work?

Francis Bacon was self-taught.

Mitrailleuse, 2008, Black Marble

Who are your favorite artists?

20th/21st century: Pierre Klossowski, John Currin, Michael Kirkham, Kiki Smith, Francis Bacon, Pierre Bonnard, Marcel Duchamp, Stanley Spencer…..

earlier: Canova, Bartolini, Ingres, Dupré, Bernini, Bellini, Millais, many many more…

Photography: Araki, William Klein, Diana Arbus, Larry Clark, etc.

But the films of Tarkowski, Sokurov, Scorcese, Godard, Kiarostami, Werner Herzog, Wong Kar-Wei and others have affected me and influenced me as much as work by fine-artists.

The writings of Maurice Blanchot are of incredible and I believe of ever-lasting importance to me.

How have they inspired you?  What have you learned from their work and how do you apply those ideas to your own work?

I don’t learn really in any direct sense, but by example. I learn too because I’m jealous of their achievements and want to be better than them, but I know I won’t be…. From film:  I learn about composition, structure, image, scene and narrative.

How have you seen your own work change from when you first began?

Yes greatly. You only need to go through my website to see this.

Have you experimented with other media besides sculpture?

My course in art began with painting, then to installation, then music-theatre, then performance art, then installation again, then sculpture. I’m not an experimenter however.

Kim de Weijer as Amputee with 3 Pistols, Marble

Where are you from?  What was it like growing up?  What kind of kid were you in school?

I’m from Croydon, England. Just south of London. I grew up in a dirty postwar urban environment, we lived between the airport and the gasworks. My childhood was coloured by tragedies. I was useless at school, with a speech impediment. I hated most lessons and all sport. I was saved by English literature and fine art. A new kid told me about Hemingway and about the surrealists: it set me free.

Where do you see yourself in three years?  How do you intend to challenge yourself between now and then?

Challenge is exactly the right word! I want to improve in a technical sense, I want to get my work better and better. The big questions for me are ‘will the weapons become redundant’, ‘if so what will replace them, what will give the works the edge they need?’ The figures will remain, I’m sure of that. I’m exploring ways of making them even more explicit without them becoming pornographic.

I moved from London to Amsterdam in the late 1970s. Maybe I’ll be living permanently in Italy in 3 years time. We bought a house there a few years ago.

What’s next for you, whether series, shows or swashbuckling?

I’m thinking of a set of marble sculptures directly and obviously portraying self-mutilation, with blade or knife. but beautiful and without great drama. Some young people cut themselves only to see themselves bleeding, to see the blood, almost for aesthetic reasons. I have gallery shows lined up in Berlin, Amsterdam, Pietrasanta (Italy), maybe Antwerp….. America awaits me, sometime. A big solo show in the autumn in an converted old 1st and 2nd World War fort just outside of Amsterdam will place my little scenes in a very acute and rough context. Exciting!

A.V. with Knife and RPG-7, 2009, Marble

Photos by Thomas Lenden.

http://www.thompuckey.com/