Zemer Peled

Zemer Peled’s work examines the beauty and brutality of the natural world. Her sculptural language is formed by her surrounding landscapes and nature, engaging with themes of nature and memories, identity and place. Her works are formed of thousand of ceramic shards constructed into large-scale/small-scale sculptures and installations.

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Lauren Gallaspy

“The fundamental contradictions of the ceramic vessel and the human body are the same: they are objects of both strength and fragility, though, in the end, the ceramic object will always outlive us. This urgent attempt at immortality remains an essential appeal of ceramics to me. Why do I make what I make? I wish…

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Yuichi Ikehata

Japanese photographer Yuichi Ikehata‘s series ‘Fragments of Long Term Memory’ sculpts human body forms by scaffolding the models with clay, wire, and paper. He then photographs and composites his subjects together. “Many parts of our memories, however, are often forgotten, or difficult to recall. I retrieve those fragmented moments and reconstruct them as surreal images.”

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Johnson Tsang

Johnson Tsang‘s current series ‘Open Mind’ will be showcasing at beinArt Gallery in Melbourne, Australia later this year. The Hong Kong based sculptor has been featured on Empty Kingdom many times within the past few years. Dates to the show will be provided soon.

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Jonathan Latiano

“Art in its most primal form is about language. The academic texts that inspire me conceptually explain and defend why and how the universe operates. My artwork though is not simply a one-to-one illustration of these studies; rather the crux of it lies within the greyer notions of the physical world around us and our…

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EK Interview: Mario Dilitz

Mario Dilitz works with wood to create touching, meaningful sculpture. His works are a sort of expose on the human condition, bare emotion painted across bare wood. Our vulnerable, withdrawn, most quiet moments are his focus, and damn does he depict them well. Check out his interview:

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Fusion Frames by Darryl Cox

Darryl Cox spends his days in Central Oregon forest searching for the ideal tree branch to blend with frames. Each distinct project involves woodworking, painting, and a bit of sculpting. He creates a limited 20-30 pieces per year.

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